University   Prints 


Series  G 


European  Architecture 


Edited  by  Professors 
Chase,  Pope  and  Post 

of  the  Department  of  Fine  Arts,  Harvard  College 


The  University  Prints 

Boston,  Mass. 

1916 


463 


f\  f  i  r»i  ,-•» 

3u7b 


) 


COPYRIGHT,     1916 
BY    THE    UNIVERSITY    PRINTS 


Stanhope  JMrcss 

F.    H.GILSON  COMPANY 
BOSTON,  U.S.A. 


N 

S3 


Sable  of  Contents* 


INTRODUCTION v 

PLATES        i-5°o 

CATALOGUE  ix 


Series  of  Hmtoergttp  prints; 

in  bound  volumes  (S3. 00  each),  and  cut 
(one  cent  each,  80  cents  per  hundred). 
SERIES  A.  Greek  and  Roman  Sculpture  (500) 
SERIES  B.  Early  Italian  Art  (500) 
SERIES  C.  Later  Italian  Art  (500) 
SERIES  D.  Art  of  the  Netherlands  and  Germany  (500) 
SERIES  G.  Architecture  (500) 

in  cut  form  only 

SERIES  E.  French  and  Spanish  Art  (250) 
SERIES  F.  British  Painting  (150) 
SERIES  M.  Egyptian  Sculpture  (25) 


, . '   -  <• 
.  *      » 


jeuropean  Hrcbitecture 


The  University  Prints  included  in  the  present  vol- 
ume cover  the  architecture  of  the  more  important 
countries  of  Europe  from  the  earliest  times  down  to 
the  close  of  the  Renaissance.  No  attempt  has  been 
made  to  cover  the  field  of  modern  architecture  in  which 
as  yet  it  is  difficult  to  trace  any  significant  movement. 
On  the  other  hand,  certain  examples  from  Egypt, 
Mesopotamia  and  Syria  have  been  included  on  account 
of  the  intimate  relation  between  these  regions  and 
Europe  in  their  culture  development.  As  they  are 
included,  however,  primarily  in  the  interest  of  Euro- 
pean architecture,  only  the  latter  appears  in  the  title. 

The  subjects  have  been  selected  and  all  questions  of 
scholarship  decided  by  Professors  Pope,  Chase  and 
Post  of  the  Department  of  Fine  Arts  of  Harvard  Col- 
lege. Professor  Chase  is  responsible  for  the  classical 
section,  Professor  Pope  for  the  Byzantine,  French, 
English  and  German,  and  Professor  Post  for  the  Italian 
and  Spanish.  This  division  follows  in  general  the  line 
of  their  own  specialized  interests,  and  assures  expert 
knowledge  in  each  department.  It  is  further  to  be 
noted  that  these  scholars  are  themselves  practical 
teachers,  long  accustomed  to  the  use  of  University 
Prints  in  their  own  classes.  It  would  be  difficult  to 
have  a  better  guarantee  of  the  practical  value  and 
significance  of  the  material  here  presented.  As  in 
every  comprehensive  and  really  representative  art 


vi  EUROPEAN  ARCHITECTURE 

series,  there  are  subjects  which  are  not  pretty,  but 
there  are  none  which  are  not  significant  as  illustrating 
some  important  architectural  principle  or  embodying 
some  signal  architectural  achievement. 

In  one  important  particular  the  plan,  as  first  con- 
ceived, has  undergone  serious  modification.  It  was  at 
first  hoped  that  the  series  might  meet  the  requirements 
of  both  the  historical  and  the  technical  student  of 
architecture,  the  man  of  culture  and  the  architect. 
The  first  requires  views  of  buildings,  the  second  requires 
analysis  of  construction,  classified  detail,  etc.  It  soon 
became  apparent,  however,  that  this  double  purpose 
was  quite  impossible  within  the  limits  set.  Indeed, 
with  the  immense  field  to  be  covered  and  the  necessity 
of  representing  interiors  as  well  as  exteriors,  often 
more  than  one  of  each,  it  was  difficult  to  bring  even 
the  most  general  views  within  the  limit  of  five  hundred 
numbers.  The  presentation  of  analytical  material  was 
therefore  reluctantly  abandoned,  save  for  a  very  few 
cross  sections,  construction  drawings  and  ground  plans 
which  were  judged  indispensable  even  for  the  purpose 
of  the  general  student.  Experience  must  determine 
whether  this  part  of  our  plan  can  be  later  realized. 

The  problem  of  classification,  always  difficult  in  a 
matter  involving  so  much  individuality  as  art,  here 
presents  difficulties  quite  unusual.  With  all  their  cross 
influences  and  affiliations,  pictures  and  statues  usually 
belong  to  a  definite  period  and  are  the  work  of  indi- 
vidual artists.  The  same  is  true  of  most  modern  build- 
ings. But  in  the  period  under  consideration,  this  was 
the  exception  rather  than  the  rule.  A  cathedral  be- 
gun in  the  twelfth  century  may  be  finished  in  the 
fifteenth,  with  minor  modifications  for  centuries  after. 


EUROPEAN  ARCHITECTURE  vii 

Inasmuch  as  each  century  built  in  its  own  style  with 
little  or  no  regard  for  the  style  of  earlier  periods,  such 
a  building  is  a  composite  representing,  it  may  be,  every 
stage  in  the  evolution  of  cathedral  architecture  in  that 
locality.  The  parts  of  such  a  building  find  their  place 
readily  enough  in  a  chronological  or  stylistic  classifica- 
tion, but  the  building  as  a  whole  proves  quite  refrac- 
tory. The  slight  characterization  which  is  possible  in 
the  printed  title  of  each  picture  has  proved  an  embar- 
rassing problem.  Beyond  this,  any  attempt  to  group 
these  subjects  in  a  way  to  indicate  logical  affiliation  en- 
countered obstacles  which  seemed  insuperable.  Within 
the  few  main  divisions,  chiefly  geographical  or  sepa- 
rated by  marked  historical  epochs,  the  subjects  have 
been  arranged  alphabetically,  by  location.  A  more 
fundamental  grouping  would  require  dissection  and 
explanations  for  which  there  is  no  present  oppor- 
tunity. It  is  our  ambition  to  meet  this  need  by  the 
issue  of  a  critical  handbook  such  as  has  proved  so  in- 
valuable an  adjunct  to  our  series  on  Greek  and  Roman 
sculpture,  and  Italian  Art,  but  no  definite  announce- 
ment can  as  yet  be  made  with  regard  to  such  an  issue. 
Once  more  we  would  remind  the  reader  that  the 
University  Prints  are  intended  for  the  student  and 
lover  of  art  rather  than  for  purposes  of  miscellaneous 
illustration.  This  will  account  for  the  omission  from 
the  series,  of  buildings  famous  for  literary  or  historic 
associations,  but  of  inferior  architectural  interest,  and 
conversely,  for  the  inclusion  of  buildings  unknown  to 
fame,  but  of  importance  in  the  history  of  architectural 
development.  The  student  can  not  be  too  strongly 
counseled  not  to  pick  out  merely  "famous"  buildings. 
Such  buildings  are  seldom  famous  on  account  of  their 


viii  EUROPEAN  ARCHITECTURE 

architecture,  and  their  fame  due  to  other  causes  is 
usually  a  hindrance  to  the  student's  purpose.  To  those 
who  seek  a  systematic  knowledge  of  architecture,  the 
careful  editing,  scholarly  selection  and  correct  desig- 
nation which  is  a  unique  characteristic  of  the  Uni- 
versity Prints,  are  invaluable.  Especially  to  the  teacher 
will  this  trustworthiness  commend  itself.  Instruction 
based  on  unrepresentative  and  mislabeled  illustrative 
material  is  like  doctoring  with  mislabeled  drugs.  The 
mischief  resulting  is  often  serious  and  permanent. 

The  prints  contained  in  this  volume,  like  all  others 
of  our  publication,  are  normally  sold  as  individual 
prints,  and  selected  to  suit.  The  bound  volume,  a 
novel  feature  of  these  series,  is  intended  for  libraries 
and  in  particular  for  teachers  who  use  the  individual 
prints  in  their  classes.  A  chief  reason  for  the  bound 
volume  is  the  hope  that  teachers  may  be  induced  to 
consult  it  in  making  their  selections  for  class  use,  in- 
stead of  ordering  from  a  printed  list.  The  inevitable 
result  of  the  latter  method  is  to  fall  into  a  narrow  rut 
of  choice  determined  by  outside  accidents.  We  may 
order  from  a  catalogue  a  picture  by  Raphael  on  the 
strength  of  his  name,  though  we  have  never  seen  it 
(few  do,  however),  but  the  name  of  a  building  which 
we  have  not  happened  to  see  or  read  about,  means 
absolutely  nothing.  Such  a  building  can  never  make 
its  appeal  or  disclose  its  charm  unless  we  see  it.  It  is 
earnestly  hoped,  therefore,  that  the  teacher  or  student 
who  is  seriously  intent  upon  knowing  architecture, 
will  turn  over  these  pages  with  the  utmost  care  before 
making  his  selection.  Do  not  trust  to  the  catalogue. 
This  is  the  catalogue,  the  only  one  that  will  permit  of 
intelligent  choice. 


TOt/i 


0. 

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INTERIOR.  TEMPLE  OF  AMON-RE 
Abu  Simbel 


THE  UNIVERSITY   PRINTS 
BOSTON 


EGYPTIAN 
XIX  DYNASTY 


G  4 


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ROCK-CUT  TOMB  OF  AMENI.   INTERIOR 
Beni  Hasan 


THE  UNIVERSITY  PRINTS 
BOSTON 


EGYPTIAN 
XII  DYNASTY 


O  6 


TOMB  OF  ADU 
Dendera. 


THE  UNIVERSITY  PRINTS 
BOSTON 


EGYPTIAN 
VI  DYNASTY 


G  7 


G  8 


G  9 


INTERIOR.  TEMPLE  OF  HORUS 
Edfu 


THE  UNIVERSITY  PRINTS 
BOSTON 


EGYPTIAN 
PTOLEMAIC  PERIOD 


Q  11 


G  12 


G  13 


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THE  UNIVERSITY  PRINTS 
BOSTON 


G  15 


CENTRAL  AISLE.  GREAT  HYPOSTYLE  HALL 

Temple  of  Amon,  Karnah 
(In  front,  column  of  Taharka,   XXV  Dyn.) 


THE  UNIVERSITY  PRINTS 
BOSTON 


G  17 


CLERESTORY.  HYPOSTYLE  HALL 
Temple  of  A  man,  Karnah 


'HE  UNIVERSITY  PRINTS 
BOSTON 


EGYPTIAN 
XIX  DYNASTY 


i-  o 


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THE  UNIVERSITY  PRINTS 
BOSTON 


EGYPTIAN 
XVIII.   XIX  DYNASTIES 


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Bud  Capital,  Early  Form. 
Abusir,  V  Dynasty 


Clustered  Column 
with  Bud  Capital 


TYPES  OF  SUPPORTS 


Column  with  Bud 
Capital,  Later  For 


THE  UNIVERSITY  PRINTS 
BOSTON 


EGYPTI 


G  25 


GATE  OF  ISHTAR 
Babylon 


THE  UNIVERSITY  PRINTS 
BOSTON 


MESOPOTAMIAN 
VI  CENT.  B.  C. 


G  26 


PALACE  OF  SARGON 
Khorsabad 


THE  UNIVERSITY  PRINTS 
BOSTON 


MESOPOTAMIAN 
VIII  CENT,  B.  C. 


Q  27 


WINGED  HUMAN-HEADED  BULL 

Palace  of  Ashur-nazir-pal 
Nineoeh  (British  Museum,  London) 


THE  UNIVERSITY  PRINTS 
BOSTON 


MESOPOTAMIAN 
IX  CENT.  B.  C. 


G  28 


Oc 

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TYPES  OF  VAULTS 


THE  UNIVERSITY  PRINTS 
BOSTON 


MESOPOTAMIAN 


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STAIRWAY  TO  QUEEN'S  APARTMENT 

(Wooden  columns  restored) 

Palace,  Knossos,  Crete 


THE  UNIVERSITY  PRINTS 
BOSTON 


AEGEAN 
LATE  MINOAN  PERIOD 


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Athens 


THE  UNIVERSITY  PRINTS 
BOSTON 


GREEK 
447-432   B.  C. 


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PORCH  OF  THE  MAIDENS  (Caryatid  Porch) 
Erechtheum,  Athens 


THE  UNIVERSITY  PRINTS 
BOSTON 


GREEK 
V  CENT.  B.  C. 


NORTH  PORCH 
Erechtheum,  Athens 


THE  UNIVERSITY  PRINTS 
BOSTON 


GREEK 
V  CENT.  B.  C. 


DOOR  OF  NORTH  PORCH  (before  restoration) 
Erechtheum,  Athens 


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BOSTON 


GREEK 
V  CENT.  B.  O. 


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CHOREGIC  MONUMENT  OF  LYSICRATES 
Athens 


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BOSTON 


GREEK 
IV  CENT.  8.  O. 


U  57 


TREASURY  OF  THE  ATHENIANS 
Delphi 


THE  UNIVERSITY  PRINTS 
BOSTON 


GREEK 
V  CENT.  B.  C. 


TREASURY  OF  THE  CNIDIANS  (restored) 
Museum,  Delphi 


THE  UNIVERSITY  PRINTS 
BOSTON 


GREEK 
VI  CENT.  B.  C. 


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G  61 


CORINTHIAN  CAPITAL  FROM  THE  THOLOS 
Epidaurus 


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BOSTON 


GREEK 
IV  CENT.  B.  C. 


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TEMPLE  OF  POSEIDON     SHOWING  INTERIOR  COLONNADES 
Pcustum,  Italy 


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BOSTON 


GREEK 
V  CENT.  B.  C. 


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DOORWAY,  TEMPLE  OF  JUPITER 
Baalbek,  Syria 


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BOSTON 


ROMAN 
II  CENT.  A    D. 


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ROUND  TEMPLE   NEAR  THE  TIBER 
Rome 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMAN 
I  CENT.  A.  D. 


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AQUEDUCT 
Segovia,  Spain 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMAN 
I  CENT.  B.  C.(?) 


G  94 


PALACE  OF  DIOCLETIAN 
Spalato,  Dalmatia 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMAN 
IV  CENT.  A.  D. 


G  95 


•TEMPLE  OF  THE  SIBYL' 

Tiuoli 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMAN 
CENT.  B.  O. 


G  96 


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G  99 


OPUS  INCERTUM 


OPUS  RETICULATUM 


OPUS  LATERICIUM 


OPUS  MIXTUM 


ROMAN  WALLS.   SHOWING   METHODS  OF  FACING  CONCRETE 
WITH  STONE  OR  BRICK 


THE  UNIVERSITY  PRINTS 
BOSTON 


G  1OO 


Dome 


Centers  for  coffering  of  dome  Rib  system  of  dome 

METHODS  OF  VAULT  CONSTRUCTION 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMAN 


G  101 


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LITTLE  METROPOLITAN  CHURCH 
Athens 


THE  UNIVERSITY  PRINTS 
BOSTON 


BYZANTINE 
XII  CENT. 


Q  108 


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GROUND  STORY  AND  GALLERY  ARCADES  FROM  NAVE 
Santa  Sophia,  Constantinople 


THE  UNIVERSITY  PRINTS 
BOSTON 


BYZANTINE 
VI  CENT. 


INTERIOR  WITH   CENTRAL  DOME   FROM  AISLE 
Santa  Sophia,  Constantinople 


THE  UNIVERSITY  PRINTS 
BOSTON 


BYZANTINE 
VI  CENT. 


DOMICAL  VAULT  IN  CORNER  COMPARTMENT  OF  GALLERY 
Santa  Sophia,  Constantinople 


THE  UNIVERSITY  PRINTS 
BOSTON 


BYZANTINI 
VI  CENT. 


DETAIL  OF  VAULTS  AND  CAPITAL 
Santa  Sophia,  Constantinople 


THE   UNIVERSITY  PRINTS 
BOSTON 


BYZANTINE 
VI  CENT. 


<  5 


G  117 


>x 

00 


G  118 


s* 


G  110 


EXTERIOR 
S.  Pantaleemon,  Salonica 


THE  UNIVERSITY  PRINTS 
BOSTON 


BYZANTINE 
XII  CENT. 


ST.  IRENE,  CONSTANTINOPLE 


SANTA  SOPHIA.  CONSTANTINOPLE 
PLANS  OF  BYZANTINE  CHURCHES 


THE  UNIVERSITY  PRINTS 
BOSTON 


G  121 


INTERIOR 
Baptistery  of  the  Orthodox,  Rauenna 


THE  UNIVERSITY  PRINTS 
BOSTON 


EARLY  CHRISTIAN 
V  CENT. 


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G  123 


INTERIOR 
San  Vitale.  Rauenna 


THE  UNIVERSITY  PRINTS 
BOSTON 


EARLY  CHRISTIAN 
VI  CENT. 


G  124 


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5  O 
uj  X 


z  o 


Q  125 


CIRCULAR  AISLE 
Santa  Costanza.  Rome 


THE  UNIVERSITY  PRINTS 
BOSTON 


EARLY  CHRISTIAN 
IV  CENT. 


127 


LU 
d    I 

Z    S 

<  * 

II 


Z  .= 

<  ; 

X  '5, 


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CC  00 

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31 
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G  120 


t-  Q 
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<  5 


03  I- 

tr  co 

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(0 

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Gr  131 


CATHEDRAL.  TROIA 
XI  CENT. 


CATHEDRAL,  MONREALE 
XII  CENT. 


PLANS  OF  CENTRAL  AND  SOUTHERN   ROMANESQUE  CHURCHES 


THE  UNIVERSITY  PRINTS 
BOSTON 


G  132 


V 


Q  133 


EXTERIOR 
Cathedral,  Altamura 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 

xi-xm  CENT. 


G  134 


FACADE  AND  CAMPANILE 
Cathedral,  Amalfi 


THE  UNIVERSITY  PRINTS 

BOSTON 


ROMANESQUE 
XIII  CENT. 


G  135 


o  _. 

X 


co  I- 

OC  CO 

LU  O 

>  CO 

z 

3 


G  137 


O 

K  g 

U.  U. 


G  138 


1 


a  « 

<  "s 


O  139 


G140 


$.$ 


G  141 


APSE 
San  Francesco,  Bologna 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


INTERIOR 
San  Francesco,  Bologna 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


Iti 

I 

u 

fi 


0-3 

<  -a 


G  144 


ui 

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I-  -a 

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00  h 

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Q  145 


Is. 


= 

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DC 


03  h- 

OC  00 

in  O 

>  CD 

Z 
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Q  146 


G  147 


INTERIOR 
Cathedral,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIV  CENT. 


Q  148 


CROSS-SECTION  OF  DOME 
Cathedral,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE.     XV  CENT. 
ARCHITECT,  BRUNELLESCH 


G  149 


G  15O 


EXTERIOR 
Bargello,  Florence 


THE   UNIVERSITY  PRINTS 
BO§TON 


GOTHIC 
XIII  CENT. 


G  151 


O  - 

°* 


CO  h 

cr  oo 

iu  O 

>  O 


EXTERIOR 
Or  San  Michele,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XI 1 1(7),  XIV  CENT. 


G  153 


G154 


ll 


G  155 


INTERIOR 
Santa  Maria  Novella,  Florence 


THE  UNIVERSITY   PRINTS 
BOSTON 


GOTHIC 
XIII.  XIV  CENT, 


Q  156 


Q  157 


THE  UNIVERSITY  PRINTS 
BOSTON 


INTERIOR 
San  Miniato,  Florence 


ROMANESQUE 
X\  CENT. 


G  158 


G  159 


EXTERIOR 
Palazzo  Guinigi,  Lucca 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  on  XIV  CENT. 


FACADE 
San  Qiusto,  Lucca 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
X(?)-XII  CENT. 


G  161 


G  162 


G  163 


APSE 
Cathedral.  Milan 


THE   UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIV.   XV  CENT. 


G  164 


NAVE 
Cathedral,  Milan 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
BEGUN   IN   XV  CENT 


G  165 


G  167 


FACADE 
Cathedral,  Modena 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XII.   XIII   CENT. 


CO    8 

II 


ui  u 

CO 

a. 


G  169 


INTERIOR 
Cathedral,  Modena 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XII  CENT. 


APSE 
Cathedral,  Monreale 


THE  UNIVERSITY  PRINTS 
BOSTON 


SICILIAN   ROMANESQUI 
XII  CENT. 


G  171 


C   c 

2* 

tc.    . 

P! 


CO  I- 
DC  (0 
UJ  O 

>  m 

z 

3 


I-  5 

(0     . 
O  ~o 


G  173 


FA9ADE 

Cathedral,  Oruieto 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIV  CENT. 


G  174 


G  175 


50 


X  S 

UJ  £ 

% 


CO  H 

£t  (0 

tu  O 

>  CQ 


PALATINE  CHAPEL 
Palace,  Palermo 


THE  UNIVERSITY  PRINTS 
BOSTON 


SICILIAN   ROMANESQUI 
XII  CENT. 


G  177 


5° 

00  X 


40  fc 

Q-  CD 

uj  O 

>  m 


a  ITS 


G  179 


o  = 

•-  x 


00  h 

tr  oo 

m  o 

>  a 

z 

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G  180 


••*  1 


G  181 


FA9ADE 

San  Michele,  Pauia 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XII   CENT. 


CO  H 

£T  CO 

LU  O 

>  CQ 


X  UJ 


51 


<  5 
U.  .5 


CD  h 

tr  co 

uj  O 

>  m 

z 

3 
ui 

I 


G  184 


G  185 


NAVE  LOOKING  EAST 
Cathedral,  Pisa 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XI.  XII  CENT. 


00    LU 

uj  O 

z  _ 

f* 

is 


5-2 

D  «• 


(B  (- 

(£  (0 

Ul  O 

>  ca 


G  187 


EXTERIOR 

Baptistery,  Pisa 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE.  GOTHIC 
XII-XIV  CENT. 


\-  c 


CO  I- 

tr  co 

ui  o 

>  CQ 


Or  188 


G  190 


INTERIOR 

Cathedral,  Siena 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII.  XIV  CENT. 


FACADE 
Palazzo  Pubblico,  Siena 


THE  UNIVERSITY   PRINTS 
BOSTON 


GOTHIC 
XIII.  XIV  CENT. 


G-  192 


FACADE 
Palazzo  Tolomei,  Siena 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


G  193 


I  ID 

65 


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t£   CO 

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>  00 


G  194 


G  195 


G  196 


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APSE  AND  TRANSEPT 
Cathedral,  Trani 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XII  CENT. 


G197 


a  iG8 


<  0 

0-g 

<  a 


G  190 


z  z 

r  w 

5  = 

N  X 

B>  = 


sf 


00  \- 

tr  CD 

iu  O 

>  CO 


CAPITALS 
San  Marco,  Venice 


THE  UNIVERSITY  PRINTS 
BOSTON 


BYZANTINE 
XI.  XII  CENT. 


G  2O1 


G  202 


K 

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UJ    O 

I-   o 
X  »- 

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G203 


nifnriHiiu  rij  nil 

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FACADE 

Palazzo  Loredan,   Venice 


THE  UNIVERSITY  PRINTS 
BOSTON 


BYZANTINE  (remodelled) 
XI  OR  XII  CENT. 


G  2O4 


FACADE 
Palazzo  Pisani,  Venice 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIV,  XV  CENT, 


G  205 


APSE 
Santa  Maria  del  Frari,   Venice 


THE   UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIV  CENT. 


G  206 


SI 


Q207 


INTERIOR 
Sant'  Anastasia,  Verona 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII-XV  CENT. 


G  208 


CO  Z 

LU    UJ 

Z  O 


CO  I- 

C£  CO 

iu  O 

>  CO 


G  2O9 


G  2.0 


FA9ADE 
Palazzo  Bariolini,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE.     XVI  CENT. 
ARCHITECT.  BACCIO  D'AGNOl 


Q  211 


EXTERIOR 
Palazzo  Riccardi,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE.     XV  CENT. 
ARCHITECT.  MICHELOZZO 


G  212 


O  § 
0$ 


G  213 


FACADE 
Palazzo  Rucetlai,  Florence 


THE   UNIVERSITY   PRINTS 
BOSTON 


RENAISSANCE.     XV  CENT. 
ARCHITECT.  ALBERT! 


G  214 


UJ  u. 
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O'g- 

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G  215 


PLAN  AND  SECTION 
Pazzi  Chapel,  Florence 


IE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE.     XV  CENT. 
ARCHITECT.   BRUNELLESCHI 


G  216 


G  217 


CAMPANILE 

Santo  Spirito,  Florence 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE.     XVI  CENT. 
ARCHITECT,  BACCIO  D'AGNOLO 


G  218 


FACADE 
Sant'  Andrea,  Mantua 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE.     XV  CENT, 
ARCHITECT,  ALBERTI 


G  219 


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Z  UJ 

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00  h 

C  00 

u  O 

>  CO 


G  220 


INTERIOR 
Sacristy  of  San  Satiro,  Milan 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE 
XV  CENT. 


G  221 


EAST  END  AND  LANTERN 
Santa  Maria  delle  Grazie,  Milan 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE.     XV  CENT. 
ARCHITECT.  BRAMANTE  (?) 


G  222 


Z   I- 

So 


00  H 

1C  CC 

til  O 

>  CO 


G  223 


.1 

O  ¥ 


t  I 


G  224 


u.   g 
Q  i- 

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Q  225 


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Z    LU 


LU 

2  2 

- 


CO  I- 

cc  co 

uj  o 

>  co 


G  226 


FACADE 
Church  of  the  Gesu,  Rome 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE.     XVI  CENT. 
ARCHITECTS.  VIGNOLA  AND  DELLA  PORTA 


G  227 


52  o 

<   K 
Z  < 

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tr  oo 

UJ  O 

>  00 


G  228 


G  229 


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I-  9 

oc  i 

B! 

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CO  h 

C£  CO 

UJ  O 

>  m 


G  23O 


COURT 
Palazzo  Massimi,  Rome 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE.     XVI  CENT. 
ARCHITECT.  PERUZZI 


G  231 


(Jr 


IL  TEMPIETTO 
San  Pietro  in  Montorio,  Rome 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE.     EARLY   XVI   CENT. 
ARCHITECT,    BRAMANTE 


G  233 


A 

u  O 
O    . 

=  < 


(E  00 
UI  O 
>  £0 


G  234 


NAVE  AND  CROSSING 

San  Pietro  in  Vaticano,  Rome 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE.     XVI.  XVII  CENT. 

ARCHITECTS,  CHIEFLY  BRAMANTE,  MICHELANGELO 
AND  MADERNA 


G  235 


BRAMANTE 


PERUZZI 


MICHELANGELO 


SAN  GALLO  THE  YOUNGER 


PLAN  OF   PRESENT  EDIFICE 
PLANS  OF  ST.  PETER'S.  ROME 


THE  UNIVERSITY  PRINTS 
BOSTON 


G  236 


X  < 


tr  a. 
<  m 


CO  C 
CO  Q 


CO   h 
CC   0 

UJ  C 

>   0 

z 

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111 

X 

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G  237 


00 

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cr  <3 


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CE   CO 

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G  238 


O   a 

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G  239 


>  CO 
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2  O 

<  UJ 

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2  tt 


CO  h- 

CC  CO 

ui  O 

>  CO 

Z 
3 


G  24O 


G  241 


G  242 


EXTERIOR 

Santa  Maria  del  Miracoli.  Venice 


RENAISSANCE.     XV  CENT. 
ARCHITECT.  P.  LOMBARDO 


ui  5 

2  « 
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G  245 


FACADE 
Palazzo  Valmarana,  Vicenza 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE.     XVI  CENT. 
ARCHITECT,  PALLAOIO 


G  246 


G  247 


SOUTH  PORCH  AND  SIDE  OF  NAVE 
Cathedral,  Albi 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC  (Fortress  Church) 
XIV-XVI  CENT. 


G  248 


G  249 


WEST  END 

Cathedral,  Angouleme 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XII  CENT. 


G  250 


(0    « 

<  S 


O  >.- 

O    « 


G  251 


WEST  END 

Cathedral,  Amiens 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 

MAINLY  XIII  CENT. 
XV  CENT.  ADDITIONS 


G  252 


\l 


NAVE.  LOOKING  EAST 
Cathedral,  Amiens 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


CHOIR  FROM  TRIFORIUM 
Cathedral,  Amiens 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


G  255 


ID      . 

§£ 

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ui  O 

<  5 
2  * 

2* 


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>  m 

z 

D 
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. 


8* 


Q  257 


CHOIR 

Cathedral,  Beauuais 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


Q  258 


X 

tt>  .2 


L 


259 


CENTRAL  DOOR  OF  WEST  PORTAL 
Cathedral,  Bourges 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


Q  26O 


O 

Z  : 

O 
O 


INTERIOR  FROM  AMBULATORY 
Cathedral,  Bourges 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
MAINLY  XIII  CENT. 


UKTEOOnWC 


I  l<:-> 


fc:  » 

CO    s 


NAVE.  LOOKING  EAST 
Ste.  Trinite  (Abbaye-aux-Dames),  Caen 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XI-XII  CENT. 


CO  H- 

CC  CO 

Ld  O 

>  03 

Z 
D 

UJ 

I 


PORTE  DE  L'AUDE 
Carcassonne 


THE  UNIVERSITY  PRINTS 
BOSTON 


XII-XIII  CENT. 


VIEW  FROM  SOUTHEAST 
Cathedral,  Chartres 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
Xll-Xlil  CENT. 


G  269 


WEST  END 
Cathedral,  Chartres 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XII-XIII  CENT. 


G  27O 


s 


! 

B        / 


Q  271 


\ 


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81 

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"-  5 
03 

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CC  00 

uj  O 

>  00 

Z 
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Ul 

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G  272 


NAVE.  LOOKING  EAST 
Cathedral,  Chartres 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XII-XIII  CENT. 


G  273 


CHOIR  AND  NAVE.  LOOKING  WEST 
Cathedral,  Chartres 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XII-XIH  CENT. 


G  274 


Q  275 


UJ    c 

i! 

QO 


G  276 


NAVE  AND  NORTH  AISLE.  LOOKING  WEST 
Abbey,  Jumieges 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XI  CENT. 


Q  277 


WEST  END 
Cathedral,  Laon 


TRANSITIONAL 
XII-XIII  CENT. 


G  278 


CHEVET  (Apse) 
Cathedral,  Le  Mans 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


G  280 


si 


G  281 


CHURCH  FROM  SOUTHWEST 
Morienual 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XI-XII  CENT. 


I 


NORTH  AISLE  OF  NAVE 

Church,  Morienval 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XI  CENT. 


G  284 


NAVE,   LOOKING  EAST 
Cathedral,  Noyon 


THE  UNIVERSITY  PRINTS 
BOSTON 


EARLY  GOTHIC 
XII-XIII  CENT. 


Q  285 


*  00 

<  111 

5  <r 

O 


\ 

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00  Q. 
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00  I- 

C  00 

UJ  O 

>  en 


G  286 


NAVE.  FROM  AMBULATORY 
St.  Front,  Perigueux 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XII  CENT.     RESTORED  XIX  CENT. 


Q  287 


WEST  END 
Cathedral  (Notre  Dame),  Paris 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


Cr  UBS 


xl 

Ss 

O  S 


O  45 
tt    o 


G  280 


NAVE.   LOOKING  EAST 
Cathedral  (Notre  Dame),  Paris 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XII-XIM  CENT. 


SAINTE-CHAPELLE 
Paris 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


Q  291 


CO  t- 

£C  CD 

UJ  O 

>  CO 


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z 
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G  293 


NORTH  AISLE,  LOOKING  EAST 
Cathedral  (St.  Pierre),  Poitiers 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE  AND  GOTHIC 
XII-XIII  CENT. 


G  294 


WEST  END 
Cathedral,  Reims 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XII-XV  CENT. 


G  295 


Is 

O  ^ 
X 


uj  O 

>    DO 


G  296 


I  C 


21 


Q  297 


-*    -,-;•„- 


NAVE,  LOOKING  WEST 
Cathedral,  Reims 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XMI  CENT. 


G  298 


NAVE,   LOOKING  WEST 
St.  Remi,  Reims 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE  AND  GOTHIC 
XI   AND  XII  CENT, 


Q  290 


WEST  END 
Cathedral,  Rouen 


THE   UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XM-XV  CENT. 


G  300 


TOUR  DE  BEURRE  (Butter  Tower) 
Cathedral,  Rouen 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC  (Flamboyant) 
XV  CENT. 


NAVE,   LOOKING  EAST 
Cathedral,  Rouen 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


O  LU 


o  <=> 
or    . 


CO  (- 

CC  CO 

iu  O 

>  m 


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2  u 
fo 

*  > 

U.   X 


G  3O4 


HALF-TIMBER  HOUSES 
Rue  St.  domain,  Rouen 


THE  UNIVERSITY  PRINTS 
BOSTON 


MEDIAEVAL 


Q  305 


NAVE,   LOOKING  EAST 
Abbey  Church,  St.  Denis 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


G  3O6 


5  .2 


DC     . 

P 


Q  3O7 


Z  < 

<  UJ 

S  o 

0  5 

o:  < 


00  I- 

r  oo 

uj  O 

>  CD 


Q  308 


NAVE  FROM  AMBULATORY 
Church,  St.  Benoit-sur-Loire 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XI-XII  CENT. 


G  3O9 


G  310 


NAVE.  LOOKING  EAST 
Abbey  Church,  St.  Sermer 


THE  UNIVERSITY  PRINTS 
BOSTON 


TRANSITIONAL 
XII  CENT. 


G  311 


IT 


SOUTH  AISLE,   LOOKING  EAST 
Abbey  Church,  St.  Germer 


THE  UNIVERSITY  PRINTS 
BOSTON 


EARLY  GOTHIC 
XII  CENT. 


G  312 


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WEST  END 
Church,  St.  Leu  d'Esserent 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE  AND  EARLY  GOTHIC 
XII  CENT. 


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NAVE,  LOOKING  WEST 
Church,  St.  Leu  d'Esserent 


THE  UNIVERSITY  PRINTS 
BOSTON 


EARLY  GOTHIC 
XII  CENT. 


Q  317 


VIEW  FROM  SOUTH 
Cathedral,  Senlis 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XII-XIII  AND  XVI  CENT. 


NAVE.   LOOKING  EAST 
Cathedral,  Sen/is 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XII-XIII  CENT. 


Q  319 


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Cathedral,  Soissons 


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BOSTON 


EARLY  GOTHIC 
XII  CENT. 


G  321 


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Cathedral,  Soissons 


GOTHIC 
XIII  CENT. 


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G  323 


EAST  END 
St.  Sernin,  Toulouse 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XI-XIII  CENT. 


NAVE.   LOOKING   EAST 
St.  Sernin,   Toulouse 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XI-XIII  CENT. 


Q  325 


WEST  END 
Cathedral,  Tours 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC  AND  RENAISSANCE 
XH-XVI  CENT, 


G  326 


G  327 


NAVE,   LOOKING  EAST 
Church,  Vignory 


THE  UNIVERSITY   PRINTS 
BOSTON 


ROMANESQUE 
XI  CENT. 


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LONO,TUO,NAU  AND  TKANSVERSE  S.OT.ONS  OF  «««»  OATH 


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BOSTON 


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Chateau.  Blois 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE 
XVI  CENT. 


G  337 


DETAIL  OF  STAIRCASE 
Chateau,  Blois 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC  AND  RENAISSANCE 
XVI  CENT. 


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BOSTON 


RENAISSANCE 
XVI  CENT. 


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Q  347 


G  348 


G  340 


CHAPEL 
Palace,  Versailles 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE.     XVII  AND  XVIII  CENT. 
ARCHITECT.  J.  H.  MANSARD 


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Q  351 


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BOSTON 


GOTHIC  ("Perpendicular; 
LATE  XIV  CENT. 


G  359 


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VIEW  FROM  RIVER 
Cathedral,  Durham 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE  (Norman)  AND  GOTHIC 
XI-XIV  CENT. 


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Cathedral,  Ely 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE  (Norman) 
XII  CENT. 


369 


NAVE,  LOOKING  EAST 
Cathedral,  Ely 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE  TNorman) 
XII  CENT. 


CHOIR,   LOOKING  EAST 
Cathedral,  Ely 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


Q  371 


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CHOIR.  LOOKING  EAST 
Cathedral,  Gloucester 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC  (Perpendicular) 
XIV  CENT. 


Q  370 


G  380 


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VIEW  FROM  NORTHWEST 
Cathedral,  Licfifeld 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


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WEST  END 
Cathedral,  Lincoln 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE   (Norman)   AND  GOTHIC 
XII-XIV  CENT. 


G  385 


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CHOIR,   LOOKING   WEST 
Cathedral,  Lincoln 


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BOSTON 


GOTHIC 
XMI  CENT. 


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G  380 


CHAPTER  HOUSE 
Cathedral,  Lincoln 


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BOSTON 


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GOTHIC 
XIII  CENT. 


G  391 


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G  392 


CHOIR.  LOOKING  EAST 
Westminster  Abbey,  London 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


G  393 


394 


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INTERIOR  OF  HENRY  VII'S  CHAPEL 
Westminster  Abbey,  London 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC  (Late  Perpendicular) 
XVI  CENT. 


Q  395 


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NAVE  AND  CHOIR 
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BOSTON 


GOTHIC  (Early Transitional  and  late  Perpendicular) 
XII-XVI  CENT. 


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Oxford 


UNIVERSITY  PRINTS 
BOSTON 


LATE  GOTHIC 
XV -EARLY  XVI  CENT. 


G  403 


THE  UNIVERSITY  PRINTS 

BOSTON 


WEST   FRONT 
Cathedral,  Salisbury 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


G  405 


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NAVE.  LOOKING  EAST 
Cathedral,  Salisbury 


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BOSTON 


GOTHIC 
XIII  CENT. 


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BOSTON 


GOTHIC 
XIII  CENT. 


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Cathedral,  Winchester 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XI-EARUY  XII  CENT 


NAVE.   LOOKING  EAST 
Cathedral,  Winchester 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC  (Perpendicular) 
XV  CENT. 


O  415 


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WEST  END 

Cathedral,   York 


FHE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC  (Perpendicular) 
MAINLY  XV  CENT. 


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Q  410 


FIVE  SISTERS  WINDOW 
Cathedral,   York 


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BOSTON 


GOTHIC 
XIII  CENT. 


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WEST  END 
St.  Paul's,  London 


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BOSTON 


RENAISSANCE.     1875-1710 
ARCHITECT,  SIR  CHRISTOPHER  WREN 


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BOSTON 


XVI  CENT. 


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MIHRAB 
Mosque,  Cordova 


THE  UNIVERSITY  PRINTS 
BOSTON 


MOORISH 
X  CENT. 


G  433 


DOME  Of  MIHRAB 
Mosque.  Cordova 


THE  UNIVERSITY  PRINTS 
BOSTON 


MOORISH 
X  CENT. 


G  435 


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HALL  OF  THE  TWO  SISTERS:    WALL 
Alhambra,  Granada 


HHE  UNIVERSITY  PRINTS 
BOSTON 


MOORISH 
XIV  CENT. 


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INTERIOR 
San  Vicente,  Auila 


THE  UNIVERSITY  PRINTS 
BOSTON 


TRANSITIONAL  TO  GOTHIC 
XII  CENT. 


FACADE 
Santo  Tomas,  Auila 


THE  UNIVERSITY  PRINTS 
BOSTON 


LATE  GOTHIC 
LATE   XV  CENT. 


INTERIOR  (Before  Restoration) 
San  Juan  Bautista.  Banos  de  Cerrato 


THE  UNIVERSITY  PRINTS 
BOSTON 


VI8IGOTHIC  <?' 
VII  CENT.  (?) 


INTERIOR 
Cathedral,  Barcelona 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIV.  XV  CENT. 


G  445 


SIDE  VIEW 
Santa  Maria  del  Pino,  Barcelona 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIV  CENT. 


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FACADE  AND  TOWERS 
Cathedral,  Burgos 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII-XV  CENT. 


Q  447 


TRANSEPTS  AND  CROSSING 
Cathedral,  Burgos 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
Xlll-XVI  CENT. 


G  448 


INTERIOR  OF  LANTERN 
Cathedral,  Burgos 


THE  UNIVERSITY  PRINTS 
BOSTON 


LATE  GOTHIC 
XV  CENT.   (Rebuilt  XVI  Cent., 


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NAVE  OF  CHURCH 
Convent  of  Las  Huelgas,  Burgos 


THE  UNIVERSITY  PRINTS 
BOSTON 


EARLY  GOTHIC 
LATE  XII  CENT. 


0451 


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G  452 


Q  453 


EXTERIOR 
Cathedral,  Leon 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


6  454 


NAVE,  LOOKING  WEST 
Cathedral,  Leon 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


G  455 


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ROMANESQUE 
LATE  XII    OR   EARLY  XIII  CENT. 


G  457 


NAVE 
Old  Cathedral,  Salamanca 


THE  UNIVERSITY  PRINTS 
BOSTON 


EARLY  GOTHIC 
XII,  XIII  CENT. 


EXTERIOR  OF  APSE  AND  DOME 
Old  Cathedral,  Salamanca 


THE  UNIVERSITY  PRINTS 
BOSTON 


.      ROMANESQUE  AND  EARLY  GOTHIC 
XII.  XIII  CENT. 


G  459 


G  46O 


G  461 


NAVE 
Cathedral,  Santiago  de  Compostela 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XI.  XII  CENT. 


G  462 


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SOUTH  PORCH  AND  TOWER 
San  Esteban,  Segovia 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XIII  CENT. 


G  464 


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Q  465 


INTERIOR 
Cathedral,  Seville 


THE  UNIVERSITY  PRINTS 
BOSTON 


LATE  GOTHIC 
XV  CENT. 


G  466 


VIEW  FROM  CLOISTER 
Cathedral,  Tarragona 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE  AND  GOTHIC 
XII-XIV  CENT. 


INTERIOR 
Cathedral,   Tarragona 


THE  UNIVERSITY  PRINTS 
BOSTON 


EARLY  GOTHIC 
XII.  XIII  CENT. 


Q  468 


INTERIOR 
Cathedral,  Toledo 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


G  469 


INTERIOR 
San  Juan  de  los  Reyes.  Toledo 


THE   UNIVERSITY   PRINTS 
BOSTON 


LATE  GOTHIC 
LATE   XV  CENT. 


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G  471 


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G  472 


FACADE 
San  Gregorio,   Valladolid 


THE  UNIVERSITY  PRINTS 
BOSTON 


PLATERESQUE 
LATE  XV  CENT. 


O  473 


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G  474 


SANCTUARY  OF  THE  CHURCH 
Escorial 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE 

SECOND  HALF,  XVI  CENT. 

CHIEF  ARCHITECT,  JUAN  DE  HERRERA 


G  475 


INTERIOR 
Cathedral,  Granada 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE.     XVI  CENT. 
CHIEF  ARCHITECT.   DIEGO  DE  8ILOE 


G  476 


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G  477 


INTERIOR 
La  Lonja  (Exchange),  Saragassa 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE 
XVI  CENT. 


O  478 


tu  16 
Q  K 
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G  479 


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G  48O 


FACADE 
Cathedral,  Valladolid 


THE  UNIVERSITY  PRINTS 
BOSTON 


RENAISSANCE 
LATE  XVI  CENT. 


0  481 


EXTERIOR  FROM  SOUTH 
Cathedral,  Aachen  (Aix-la-Chapelle) 


E  UNIVERSITY  PRINTS 
BOSTON 


CAROLINGIAN  AND  GOTHIC 
IX  AND  XIV-XV  CENT. 


7 


G  482 


G  483 


WEST  END 
Cathedral,  Cologne 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII-XIX  CENT. 


Q  484 


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U  485 


NAVE,   LOOKING  EAST 
Cathedral,  Cologne 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII-XIX  CENT. 


G  486 


EAST  END 
Church  of  the  Apostles,  Cologne 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XIII  CENT. 


G  487 


VIEW  FROM  SOUTHEAST 
Cathedral,  Freiburg 


HE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIM-XIV  CENT. 


G  488 


Hi 
CO  I 
CE  I 
UJ  I 

>  i 

z 

3 
UJ 

I 
F 


0  489 


EAST  END 
St.  Godehard,  Hildesheim 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XII  CENT. 


G  49O 


INTERIOR.  LOOKING  EAST 
St.  Godehard,  Hildesheim 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XII  CENT.     (Restored  XIX  Cent.) 


O  491 


KNOCHENHAUERAMTHAU8  (Butcher's  Guild  Hall) 
Hildesheim 


THE  UNIVERSITY  PRINTS 
BOSTON 


LATE  GOTHIC 
XVI  CENT.     (Restored  XIX  Cent.) 


G  402 


I 

E 

o. 

>•  z 

b  o 

CO   I- 
£C  00 

uj  O 

>   CO 

z 


UJ 


O  403 


NAVE.   LOOKING  EAST 
Laach 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XII  CENT. 


VIEW  FROM  SOUTHWEST 
Cathedral,  Malm  (Mayence) 


THE  UNIVERSITY  PRINTS 
BOSTON 


X 


MAINLY  ROMANESQUE 
XII-XIV  CENT. 


G  495 


NAVE.  LOOKING  EAST 
Cathedral,  Mainz  (Mayence) 


THE  UNIVERSITY  PRINTS 
BOSTON 


ROMANESQUE 
XII  CENT. 


G  496 


WEST  END 
Cathedral,  Strassburg 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIV- XV  CENT. 


Q  497 


VIEW  ACROSS  NAVE 
Cathedral,  Strassburg 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIII  CENT. 


VIEW  FROM  SOUTHWEST 
Cathedral.  Ulm 


THE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIV-XVI  AND  XIX  CENT. 


O  490 


VIEW  FROM  SOUTHWEST 
St.  Stephen,  Vienna 


HE  UNIVERSITY  PRINTS 
BOSTON 


GOTHIC 
XIV-XV  CENT. 


G  500 


European  Architecture 

NOTE. —  The  subjects  in  this  series  are  arranged  alphabetically  by  places 
within  the  several  sections.  Since  many  styles  and  peiiods  are  often  represented 
in  a  single  building,  it  has  not  seemed  practicable  to  carry  the  principle  of  stylistic 
or  chronological  classification  beyond  the  divisions  into  sections. 

In  designating,  specify  Series  G,  in  addition  to  number. 

Classical  Architecture 

Egyptian 

G     1     Abu  Simbel.     General  view  of  rock-cut  Temples. 

G     2     Abu  Simbel.     Temple  of  Amon-Re.     Facade. 

G     3     Abu  Simbel.     Temple  of  Amon-Re.     Interior. 

G     4     Beni  Hasan.     Rock-cut  tomb  of  Khnumhotep. 

G     5     Beni  Hasan.     Rock-cut  tomb  of  Ameni.     Interior. 

G     6     Dendera.     Tomb  of  Adu  I. 

G     7     Der-cl-Bahri.     Temple  of  Queen  Hatshepsut. 

G     8     Edfu.     Temple  of  Horus.     Pylon. 

G    9     Edfu.    Temple  of  Horus.     Peristyle. 

G  10     Edfu.     Temple  of  Horus.     Interior. 

Gil     Edfu.     Temple  of  Horus,  from  top  of  Pylon. 

G  12     Ghizeh.     Pyramid  and  Mastaba  construction. 

See  M  103,  Sphinx  and  Pyramid  of  Cheops. 
G  13     Ghizeh.     Pyramid  of  Khafra  (Chefren). 

See  M  106,  Head  of  Chefren. 
G  14     Ghizeh.     "  Temple  of  the  Sphinx." 
G  15     Karnak.     Temple  of  Amon  from  behind  Sanctuary. 
G  16     Karnak.     Temple  of  Amon.     H>  -p.>-t>  !«•  I  l.ill.  (Yntr.il  Ai-lr. 
G  17     Karnak.     Temple  of  Amon.     Hypostylc  Hall,  Clerestory. 
G  18     Karnak.     Temple  of  Amon.     First    Pylon  with  Avenue  of 

Sphinxes. 
G  19     Karnak.     Temple  of  Aimm.     Hypostylc  Hall,  Re-t. .ration 

See  M  117,  View  acrose  HypnMylr  Hall. 
G  20     Luxor.     Temple  of  Amon. 
G  21     Luxor.     Temple  of  Amon.     Restoration. 
G  22     Medinet  Habu.     Temple  of  Amon  from  rear. 

See  M  120,  wall  sculpture. 
G  23     Plans  of  Egyptian  TempK-. 
G  24     Types  of  Egyptian  Supports. 

For  Egyptian  Sculpture,  see  M  101-125, 


x  European  A  rchitecture 

Mesopotamia!!    ^ 

G  25     Babylon.     Gate  of  Ishtar. 

G  26     Khorsabad.     Palace  of  Sargon.     Plan  and  restoration. 

G  27     Nineveh.     Winged  Human-headed  Bull.     (London,  British 

Museum.) 

G  28     Assyrian  Temple-tower  (ziggurat). 
G  29     Types  of  Mesopotamian  vaults. 

Aegean  • 

G  30     Knossos.     Palace.     Stairway  to  Queen's  Apartment. 

See  A  2,  Throne. 
G  31     Mycenae.     Lion  Gate. 
G  32     Mycenae.     Treasury  of  Atreus. 

See  A  4,  9,  10,  Mycenaean  gold  work. 
G  33     Phaistos.     General  view. 

See  A  1,  Phaistos,  stairway. 
Tiryns.     Cyclopean  Walls. 
Tiryns.     Gallery  in  the  Wall. 
Tiryns  and  Knossos.     Plans  of  Palaces. 

Greek 

G  37     Aegina.     Temple  of  Aphaia. 

See  A  78-83,  Pediment  sculptures. 

Athens.     Acropolis  from  Hill  of  the  Muses. 

Athens.     Acropolis.     Restoration. 

Athens.     Acropolis.     Plan. 

Athens.     Parthenon  from  Northwest. 

Athens.     Parthenon  from  Southeast. 

Athens.     Parthenon.     Interior  looking  East. 
G  44     Athens.     Parthenon.     Stylobate  showing  curvature. 

See  A  136-164,  Parthenon  sculptures. 
G  45     Athens.     Erechtheum  from  Southeast. 
G  46     Athens.     Erechtheum  from  West. 
G  47     Athens.     Erechtheum.     Porch  of  the  Maidens. 

See  A  165, 166,  Porch  and  Caryatid.  ' 
G  48     Athens.     Erechtheum.     North  Porch. 
G  49     Athens.     Erechtheum.     Door  of  North  Porch. 
G  50    Athens.     Propylaea  from  Southwest  (before  restoration). 
G  51     Athens.     Propylaea  from  East  (before  restoration). 


European  A  rchiteclure  xi 

G  52    Athens.     Temple  of  Athena  Nike. 

See  A  169-171,  Temple  sculptures. 
G  53     Athens.     "  Theseum." 

See  A  92,  131-133,  Sculptures  from  Theseum. 
G  54     Athens.     Temple  of  the  Olympian  Zeus. 
G  55     Athens.     Choragic  Monurrent  of  Lysicrati-s. 
G  56     Athens.     Theatre  of  Dionysus. 
G  57     Bassae.      Temple  of  Apollo  Epicurius. 
G  58     Delphi.     Treasury  of  the  Athenians. 
G  59     Delphi.     Treasury  of  the  Cnidians. 

See  A  44,  Frieze,  Treasury  of  the  Cnidi;m>. 
G  60     Epidaurus.     Tholos.     Restoration. 
G  61     Epidaurus.     Capital  from   the  Tholos.     (Athens,  National 

Museum.) 

G  62     Epidaurus.    Theatre. 
G  63     Girgenti.     Temple  of  Concord. 
G  64    Olympia.     Heraeum. 

G  65     Psestum.      Temple  of  Poseidon,  showing  interior  colonnade-. 
G  66     Pergamum.     Acropolis.     Restoration. 
G  67     Priene.      Theatre. 
G  68     Segesta.    Temple. 
G  69     Plans  of  Greek  Temples. 
G  70    Greek  Orders. 

For  Greek  Sculptures  in  general,  see  Series  A. 

Roman 

G  71  Aspendus.     Theatre. 

G  72  Baalbek.     Temple  of  the  Sun  and  Temple  of  Jupin-r. 

G  73  Baalbek.     Temple  of  Jupiter.     Doorway. 

G  74  Nimes.     "  Maison  Can  cV." 

G  75  Nimes.     Pont  clti  ( lard. 

G  76  Pompeii.     Basilica. 

G  77  Pompeii.     Stabian  Baths. 

G  7S  Pompeii.     House  of  the  Vettii,     Peristyle. 

See  B  8-11,  Wall  Paintings. 

G  79  Pompeii.     Small  Theatre. 

G  80  Rome.     Forum  Ronianum. 

G  81  Rome.     Forum  Romanum.     Plan. 

G  82  Rome.     Basilica  Julia  (restored). 


Xll 


European  A  rchitecture 


G    83  Rome.     Basilica  of  Constantine.' 

G    84  Rome.     Colosseum.     Exterior. 

,  G    85  Rome.     Colosseum.     Interior. 

G     86  Rome.     Arch  of  Constantine. 

See  A  346,  347,  Sculptural  decorations. 

.G     87  Rome.     Pantheon.     Exterior. 

G^  88  Rome.     Pantheon.     Interior. 

G    89  Rome.     Round  Temple  near  the  Tiber. 

G     90  Rome.     "  Temple  of  Minerva  Medica." 

G    91  Rome.     Tomb  of  Hadrian  (Castel1  Sant'  Angelo). 

G     92  Rome.     Baths  of  Caracalla. 

G    93  Segovia.     Aqueduct. 

G    94  Spalato.     Palace  of  Diocletian. 

G    95  Tivoli.     "  Temple  of  the  Sibyl." 

G    96  Treves.     Roman  Gateway  ("  Porta  Nigra"). 

G     97  Verona.     Interior  of  Amphitheatre. 

G    98  Roman  Orders. 

G    99  Roman  Walls. 

G  100  Roman  Methods  of  Vaulting. 

For  Roman  Sculptures,  see  A  325-348,  414-438. 


Byzantine  Architecture 


Apse. 

North  Arm. 

North  Sideof  Octagon. 


G  101     Kalat-Seman.     St.  Simeon  Stylites. 

G  102     Kalat-Seman.     St.  Simeon  Stylites. 

G  103     Kalat-Seman.     St.  Simeon  Stylites. 

G  104     Kalb  Louzeh.     Church.     Front. 

G  105     Kalb  Louzeh.     Church.     Nave  and  Apse. 

G  106    Tafka.     Church.     Arches  over  Nave. 

G  107     Athens.     Little  Metropolitan  Church. 

G  108     Athens.     Church  of  the  Kapnikarea. 

G  109     Constantinople.     Cistern  of  the  Thousand  and  One  Col- 
umns. 

G~-UO     Constantinople.     Santa  Sophia. 

G  111     Constantinople.     Santa  Sophia. 

(i   112     Constantinople.     Santa  Sophia. 
Arcades  from  Nave. 

G  113     Constantinople.     Santa  Sophia. 
Dome,  from  Aisle. 


Exterior. 

Interior  looking  East. 

Ground  Story  and  Gallery 

Interior     with      Central 


European  A  rchitecture  xiii 

Constantinople.     Santa  Sophia.     Domical  Vault  in  Corner 

Compartment  of  Gallery/ 
G  115     Constantinople.     Santa  Sophia.     Detail    of     Vaults    and 

Capital. 

G  116    Constantinople.     St.  Irene.    Eastern  End. 
G  117     Daphni.     Church.     Exterior. 

G  118     Phocis.     St.  Luke.     Churches  of  Monastery.     Exterior. 
G  119     Salonica.     St.  PantaleenYbn.     Exterior. 
G   120     Constantinople.     Plans  «f  St.  Irene  and  Santa  Sophia. 


Italian  Architecture 

Early  Christian 

G  121     Ravenna.     Baptistery  of  the  Orthodox.     Interior. 

See  B  23,  24,  Mosaics. 
G  122     Ravenna.     Sant'  Apollinare' Xuovo.     Interior. 

See  B  27,  28,  Mosaics. 
G  123     Ravenna.     San  Vitale.     Interior. 

See  B  29,  30,  Mosaics.    ' 
G  124     Plans  of  Basilicas. 
G  125     Rome.     San  Clemente.     Interior. 

See  B  33,  Mosaic. 
G  126     Rome.     Santa  Costanza.     Circular  Aisle. 

See  B  17,  18,  Mosaics. 

G  127     Rome.     San  Giorgio  inVelabro.     Narthex  and  Campanile. 
G  128     Rome.     San  Paolo  fuori  le  Mura.     Interior^ 

See  B  21,  Mosaic. 
G  129     Rome.     Santa  Maria  in  Trastevere.     Interior. 

See  B  35,  36,  Mosaics. 


Mediaeval 

G  130  Plans  of  Lombard-Romanesque  Churches. 

G  131  Plans  of  Central  and  Southern  Romanesque  Churches. 

G  132  Plans  of  Gothic  Churches. 

G  133  Altamura.     Cathedral.     Exterior. 

G  134  Amalfi.     Cathedral.     Facade  and  Campanile. 


xiv  European  A  rchitecture 

G  135  Arezzo.     Cathedral.     Exterior. 

G  136  Assisi.     San  Francesco.     General  View. 

G  137  Assisi.     San  Francesco.     Apse  from  Cloister. 

See  B  51,  53,  55,  56,  93,  Interior  and  decorations. 

G  138  Bari.     San  Niccola.     Fagade. 

G  139  Bari.     San  Niccola.     Triforium. 

G  140  Bitonto.     Cathedral.     Fagade. 

G  141  Bologna.     San  Francesco.     Apse. 

G  142  Bologna.     San  Francesco.     Interior. 

G  143  Cefalu.     Cathedral.     Facade. 

G  144  Cefalu.     Cathedral.     Exterior. 

See  B  38,  Mosaics. 

G  145  Chiaravalle.     Abbey  Church. 

G  146  Florence.     Cathedral  and  Campanile. 

See  B  52,  430,  Other  views. 

G  147  Florence.     Cathedral.     Interior. 

G  148  Florence.     Cathedral.     Plan  of  Dome. 

G  149  Florence  and  Cremona.     Cross-sections  of  Baptisteries. 

See  B  428,  Baptistery,  Florence. 

G  150  Florence.     Bargello.     Exterior. 

G  151  Florence.     Bargello.     Court. 

G  152  Florence.     Or  San  Michele.     Exterior. 

See  B  404-407,  425,  433,  494,  Sculptures. 

G  153  Florence.     Palazzo  Vecchio  and  Loggia  dei  Lanzi. 

G  154  Florence.     Santa  Maria:  Novella.     Exterior. 

G  155  Florence.     Santa  Maria  Novella.     Interior. 

See  B  82-85,  103-108,  196-201,  216,  Wall  decorations. 

G  156  Florence.     San   Miniato.     Fagade. 

G  157  Florence.     San  Miniato.     Interior. 

G  158  Lucca.     Cathedral.     Exterior. 

G  159  Lucca.     Palazzo  Guinigi.     Exterior. 

G  160  Lucca.     San  Giusto.     Facade. 

G  161  Lucca.     San  Michele.     Exterior. 

G  162  Milan.     Cathedral.     Exterior.. 

G  163  Milan.     Cathedral.     Apse. 

G  164  Milan.     Cathedral.     Nave. 

G  165  Milan.     Sant'  Ambrogio.     West  Front,  showing  Atrium. 

G  166  Milan.     Sant'  Ambrogio.     Nave. 

G  167  Modena.     Cathedral.     Facjide. 


European  A  rchitecture  xv 

G  168     Modena.     Cathedral.     Apse  and  South  Side. 
G  169     Modena.     Cathedral.     Interior. 
<j!70     Monreale.     Cathedral.     Apse. 
G  J71     Monreale.     Cathedral.     Interior. 

See  B  39,  Mosaics. 

G  172     Monreale.     Cathedral.     C'loister. 
G  173     Orvieto.     Cathedral.     Facade. 

See  B  40O-403,  Exterior  sculpture  . 

See  B  92,  125,  249-254,  Wall  decorations. 
G  174     Padua.     Sant' Antonio.     Exterior. 
G  175     Palermo.     La  Martorana.     Exterior. 
G  176     Palermo.     Palace.     Palatine  Chapel. 
G  177     Palermo.     LaZisa.     Exterior. 
G  178     Palermo.     San  Giovanni  degli  Eremiti.     Exterior. 
G  179     Parma.     Cathedral  and  Baptistery. 
G  180     Parma.     Cathedral.     Apse  and  South  Side. 

See  C  227,  228,  Frescos  in  dome. 
G  181     Pavia.     San  Michele.     Fagade. 
G  182     Pavia.     Visconti  Castle.     Exterior. 
G  183     Piacenza.     Palazzo  Communalc.     Facade. 
G  184     Pisa.     Cathedral  and  Leaning  Tower. 
G  185     Pisa.     Cathedral.     Nave  looking  East. 
G  186     Pisa.     Cathedral.     Triforium. 

See  B  376,  C  487,  488,  Bronze  doors. 
G  187     Pisa.     Baptistery.     Exterior. 

See  B  379-381,  Pulpit. 
G  188    San  Gimignano.    Towers. 
G  189    Siena.     Cathedral.     Exterior.  L*"" 
G  190    Siena.     Cathedral.     Interior. 

See  B  382,  383,  Pulpit. 
G  191     Siena.     Palazzo  Pubblico.    Fagade. 

See  B  94-96,  Wall  decorati<>n>. 
G  192    Siena.     Palazzo  Tolomei.     Fagade. 
G  193    Siena.    San  Galgano.     Abbey  Church.     N.i\r. 
G  194    Toscanella.     San  Pietro.     Fagade. 
G  195     Toscanella.     San  Pietro.     Interior. 
G  196    Trani.     Cathedral.    Apse  and  Transept. 
G  197     Troia.     Cathedral.     Fag;i(!c. 
G  198    Venice.     San  Marco. 


xvi  European  Architecture 

G  199  Venice.     San  Marco.     Interior. 

G  200  Venice.     San  Marco.     Byzantine  Capitals. 

See  B  34,  40,  Mosaics;  B  374,  Sculpture;  C  474  Door. 

G  201  Venice.     Ca  d'Oro.     Facade. 

G  202  Venice.     Ducal  Palace.     Exterior. 

G  203  Venice.     Palazzo  Loredan.     Facade. 

G  204  Venice.     Palazzo  Pisani.     Facade. 

G  205  Venice.     Santa  Maria  dei  Frari.     Apse. 

G  206  Venice.     Santa  Maria  dei  Frari.     Interior. 

G  207  Verona.    Sant'  Anastasia.     Interior. 

G  208  Verona.    San  Zeno.     Facade. 

Renaissance 

G  209  Florence.     Laurentian  Library.     Vestibule. 

G  210  Florence.     Palazzo  Bartolini.     Facade. 

G  211  Florence.     Palazzo  Riccardi.      Exterior. 

G  212  Florence.     Palazzo  Riccardi.      Coufrt. 

See  B  160-162,  Chapel  decorations. 

G  213  Florence.     Palazzo  Ruccelai.     Facade. 

G  214  Florence.     Pazzi  Chapel.     Facade. 

G  215  Florence.     Pazzi  Chapel.     Plan  and  Section. 

G  216  Florence.     San  Lorenzo.      Interior.- 

SeeB  448,  449, '"Pulpits. 

G  217  Florence.    Santo  Spirito.     Campanile. 

G  218  Mantua.     Sant' Andrea.      Facade.  "*N 

G  219  Mantua.     Sant'  Andrea.     .Nave.       ) 

G  220  Milan.     San  Satiro.     Interior  of  Sacristy. 

G  221  Milan.     Santa  Maria  delle  Grazie.     East  End  and, Lantern. 

G  222  Montepulciano.     San  Biagio.     Exterior. 

G  223  Montepulciano.     San  Biagio.     Interior. 

G  224  Pa  via.     Certosa.     Fagade. 

See  C  425-430,  Sculptures. 

~  G  225  Rimini.     San  Francesco.     Facade. 

See  B  223,  Wall  decoration. 

—  G  226  Rome.     Church  of  the  Gesu.     Fagade. 

G  227  Rome.     Palazzo  Cancellaria.     Facade. 

G  228  Rome.     Palazzo  Farnese,     Facade. 

G  229  Rome.     Palazzo  Farnese.     Court. 

G  230  Rome.     Palazzo  Massimi,    Court, 


European  A  rchitecture 


xim 


Nave  and  Crossing. 
Plans. 

Cloisters. 


G  231     Rome.     Piazza  del  Campidoglio  and  Palaces. 
G  232     Rome.     San  Pietro  in  Montorio.     II  Tempietto. 
G  233     Rome.     Piazza  di  San  Pietro. 

234  Rome.     San  Pietro  in  Vaticano. 

235  Rome.     San  Pietro  in  Vaticano. 

See  C  137,  Dome. 
G  236     Rome.     Santa  Maria  della  Pace. 

See  C  180-182,  Wall  decorations. 
G  237     Rome.     Villa  di  Papa  Giulio.     Court. 
G  238     Venice.     Ducal  Palace.     Court. 

See  C  284,  334-336,  357-359,  Wall  decorations. 
G  239     Venice.     Library  and  Loggetta  of  Campanile. 

Cf  C471;  See  C  473,  Sculpture. 
G  240     Venice.     Palazzo  Vendramin. 
G  241     Venice.     San  Giorgio  Maggiore.     Facade. 'X 
G  242     Venice.     San  Giorgio  Maggiore.     Interior,  v 
G  243     Venice.     Santa  Maria  dei  Miracoli.     Exterior. 
G  244     Verona.    Palazzo  Bevilacqua.     Facade. 
G  245     Vicenza.  Palazzo  Valmarana.     Facade. 


French  Architecture 

Mediaeval 

G  246  .  Abbeville.     St.  Vulfran.     West  Portal. 

G  247  Albi.     Cathedral.     South  Porch  and  Side  of  Nave. 

G  248  Albi.     Cathedral.     Choir  and  Nave. 

G  249  AngouleTne.     Cathedral.     West  End. 

G  250  Angoulerre.     Cathedral.     Nave  looking  East. 

G  251  Amiens.     Cathedral.     West  Kml. 

G  252  Amiens.     Cathedral.     Na\c  looking  East. 

G  253  Amiens.     Cathedral.     Choir  from  Triforium. 

G  254  Avignon.     Palace  of  the  Popes. 

G  255  Bayeux.       Cathedral.     Arcade  of  Nave. 

G  256  Beauvais.    Cathedral  from  Southeast. 

G  257  Beauvais.    Cathedral.     Choir. 

G  258  Blois.     Chateau.     Wing  of  Louis  XII. 

G  259  Bourges.     Cathedral.     Central  door  of  West  Portal. 

G  260  Bourges.     Cathedral.     Nave  looking  East. 


xv Hi  European  A  rchitecture 

G  261  Bourges.     Cathedral.     Interior  from  Ambulatory. 

G  262  Bourges.     House  of  Jacques  Coeur.     Court. 

G  263  Caen.     St.  Etienne.     Nave  looking  East. 

G  264  Caen.     Ste.  Trinite.     West  End. 

G  265  Caen.     Ste.  Trinite.     Nave  looking  East. 

G  266  Carcassonne.     General  View. 

G  267  Carcassonne.     Porte  de  1'Aude. 

G  268  Chartres.     Cathedral.     View  from  Southeast. 

G  269  Chartres.     Cathedral.     West  End. 

G  270  Chartres.     Cathedral.     West  Portal. 

G  271  Chartres.     Cathedral.     Porch  of  South  Transept. 

G  272  Chartres.     Cathedral.     Nave  looking  East. 

G  273  Chartres.     Cathedral.     Choir  and  Nave  looking  West. 

G  274  Chaumont.     Chateau. 

G  275  Clermont-Ferrand.     Notre- Dame-du-Port.  Choir  and  Apse. 

G  276  Jumieges.    Abbey.     Nave  and  North  Aisle  looking  West. 

G  277  Laon.     Cathedral.     West  End. 

G  278  Laon.     Cathedral.     Nave  and  Choir  from  Triforium. 

G  279  Le  Mans.     Cathedral.     Chevet  (Apse). 

G  280  Mont  St.  Michel.     View  from  Northeast. 

G  281  Mont  St.  Michel.     Crypte  de  1'Aquilon. 

G  282  Morienval.     Church  from  Southwest. 

G  283  Morienval.     Church.     North  Aisle  of  Nave. 

G  284  Noyon.     Cathedral.     Nave  looking  East. 

G  285*  Perigueux.     St.  Front.     View  from  Southeast. 

G  286  Perigueux.     St.  Front.     Nave, from  Ambulatory. 

G  287  Paris.     Cathedral  (Notre  Dame).     West  End. 

G  288  Paris.     Cathedral  (Notre  Dame).     View  from  South. 

G  289  Paris.     Cathedral  (Notre  Dame).     Nave  looking  East. 

G  290  Paris.     Sainte  Chapelle. 

G  291  Pierrefonds.     Chateau  before  restoration. 

G  292  Pierrefonds.     Chateau  after  restoration. 

G  293  Poitiers.   Cathedral  (St.  Pierre)."  North  Aisle  looking  East. 

G  294  Reims.     Cathedral.     West  End. 

G  295  Reims.     Cathedral.     West  Portals. 

G  296  Reims.     Cathedral.     View  from  Northeast. 

G  297  Reims.     Cathedral.     Nave  looking  West. 

G  298  Reims.     St.  Remi.      Nave  looking  West. 

G  299  Rouen.     Cathedral.    West  End. 


European  A  rchiteciure  xix 

G  300     Rouen.     Cathedral.    Tour  de  Beurre  (Butter Tower). 

G  301     Rouen.     Cathedral.    Nave  looking  East. 

G  302     Rouen.     St.  Ouen.     View  from  Southeast. 

G  303     Rouen.     Palais  de  Justice.   — 

G  304     Rouen.     Rue  St.  Romain.     Half-timber  Houses. 

G  305     St.  Denis.     Abbey  Church.     Nave  looking  Ka-t. 

G  306     St.  Denis.     Abbey  Church.     Choir  and  Ambulatory  from 

Transept. 

G  307    St.  Benoit-sur-Loire.     Church.    Apse. 
G  308     St.  Benoit-sur-Loire.     Church.     Nave  from  Ambulatory. 
G  309    St.  Germer.     Church  and  Sainte  Chapelle  from  South. 
G  310     St.  Germer.     Church.     Nave  looking  East. 
G  311     St.  Germer.     Church.     South  Aisle  looking  East. 
G  312    St.  Germer.     Sainte  Chapelle. 

G  313    St.  Germer.     Sainte  Chapelle.     Interior  looking  East. 
G  314    St.  Gilles.     West  Portals. 
G  315     St.  Leu  d'Esserent.    Church.    West  End. 
G  316    St.  Leu  d'Esserent.     Church.     Nave  looking  West. 
G  317     Senlis.     Cathedral.     View  from  South. 
G  318    Senlis.     Cathedral.     Nave  looking  East. 
G  319    Sens.     Cathedral.     Nave  looking  East. 
G  320     Soissons.     Cathedral.     South  Transept. 
G  321     Soissons.     Cathedral.     Nave  looking  Ea-t . 
'G  322    Toulouse.     St.  Sernin.     View  from  Northwest. 
G  323    Toulouse.     St.  Sernin.     East  End. 
G  324    Toulouse.     St.  Sernin.     Nave  looking  East. 
G  325    Tours.     Cathedral.     West  End. 
G  326    Vezelay.     Abbey  Church.     Nave  from  West  IW.h. 
G  327     Vighory.     Church.     Nave  looking  East . 

Beauvais.     Basse-oeuvre.     Longitudinal  Sect  ion. 
Clermont-Ferrand.      Notre- Dame-du- Port.     TtMKvme 

Section. 

G  329     Caen.     Ste.  Triniteand  St.  Etiemie.     Traiuvene  Sections. 
G  330     Plans  of   French   Gothic   Cathedrals.     Amiens,    Chartn- 

and  Paris. 
G  331     Longitudinal  and  Transverse  sect  ions  of  Gothic  C.uhedr.il-. 

Amiens,  Paris  and  Bourges. 
G  332     Plans  of  Gothic  Chapels  and  Cathedrals.     Le  MaO*,Ste 

Chapelle  (Paris)  and  Reims. 


xx  European  Architecture 

Renaissance 

G  333  Amboise.     Chateau  from  the  River. 

G  334  Azay-le-Rideau.     Chateau. 

G  335  Blois.     Chateau.     Wing  of  Francis  I. 

G  336  Blois.     Chateau.     Wing  of  Francis  I,  with  Staircase. 

G  337  Blois.     Chateau.     Wing  of  Francis  I.     Detail  of  Staircase. 

G  338  Chambord.     Chateau. 

G  339  Chenonceaux.     Chateau. 

G  340  Fontainebleau.  Cour  du  Cheval  Blanc  (Cour  des  Adieux). 

G  341  Paris.     Hotel  Carnavalet.     Facade. 

G  342  Paris.     Louvre.     West  Side  of  Court. 

G  343  Paris.     Louvre.     East  Front. 

G  344  Paris.     Luxembourg  Palace  from  Garden. 

G  345  Rouen.     House  of  "  Diane  de  Poitiers." 

G  346  Versailles.     Palace  from  East. 

G  347  Versailles.     Palace  from  Gardens. 

G  348  Versailles.     Palace.     Galerie  des  Glaces. 

G  349  Versailles.     Palace  Chapel. 

G  350  Plans  of  Palaces.     Louvre,  Blois  and  Fontainebleau. 


English  Architecture 

Mediaeval 

G  351  Barton-on-Humber.     St.  Peter's.     Tower. 

G  352  Cambridge.    St.  Sepulchre. 

G  353  Cambridge.    King's  College.  Chapel.  Interior  looking  West. 

G  354  Canterbury'.     Cathedral  from  Southwest. 

G  355  Canterbury.     Cathedral  from  Southeast. 

G  356  Canterbury.     Cathedral.     Crypt. 

G  357  Canterbury.     Cathedral.     Choir  looking  West. 

G  358  Canterbury.     Cathedral.     Nave  looking  West. 

G  359  Canterbury.     King's  College.     Porch. 

G  360  Durham.     Cathedral.     View  from  River. 

G  361  Durham.     Cathedral.     View  from  Southeast. 

G  362  Durham.     Cathedral.     Nave  looking  East. 

Durham.     Cathedral.     Galilee  Chapel 

Edinburgh.     Holyrood  Palace. 


European  Architecture 


xxi 


G  365 
G  366 
G  367 
G  368 
G  369 
G  370 
G  371 
G  372 
G  373 
G  374 
G  375 
G  376 
G  377 
G  378 
G  379 
G  380 
G  381 
G  382 
G  383 
G  384 
G  385 
G  386 
G  387 
G  388 
G  389 
G  390 
G  391 

G  392 
G  393 
G  394 

G  395 
G  396 
G  397 
G  398 
G  399 
G  400 
G  401 


Edinburgh.     Castle.     View  from  Southeast. 
Edinburgh.     St.  Giles.     West  End. 
Ely.     Cathedral.     View  from  Southeast. 
Ely.     Cathedral.     Prior's  Gateway. 
Ely.     Cathedral.     Nave  looking  East. 
Ely.     Cathedral.     Choir  looking  East. 
Exeter.     Cathedral.     East  End. 
Exeter.     Cathedral.     Nave  looking  East. 
Fountains  Abbey.     View  from  East. 
Fountains  Abbey.     Nave  looking  East. 
Fur  ness  Abbey.     View  from  South. 
Gloucester.     Cathedral.     View  from  Southeast. 
Gloucester.     Cathedral. 
Gloucester.     Cathedral. 
Iffley.     Parish  Church. 
Kenilworth.     Castle. 

View  from  Northwest. 

Choir  looking  West. 

View  from  Southwest. 

West  End. 

View  from  Northeast. 

Nave  looking  East. 

Choir  looking  West. 

Triforium  of  Angel  Choir. 

Chapter  House. 

View  from  South. 
Exterior  of   Henry  VII's 


Choir  looking  East. 
Cloister. 


Lichfield.  Cathedral. 
Lichfield.  Cathedral. 

Cathedral. 

Cathedral. 

Cathedral. 

Cathedral. 

Cathedral. 

Cathedral. 

Cathedral. 

Westminster  Abbey. 

Westminster  Abbey. 


Lincoln. 
Lincoln. 
Lincoln. 
Lincoln. 
Lincoln. 
Lincoln. 
Lincoln. 
London. 
London. 

Chapel. 

London.  Westminster  Abbey. 
London.  Westminster  Abbey. 
London.  Westminster  Abbey. 

Chapel. 

London.     Westminster  Hall. 
London.     Tower.     St.  John's  Chapel. 
Malmesbury.     Abbey.     Nave  looking  West. 
Melrose.     Abbey.     View  from  South. 
Oxford.     Cathedral.     Nave  and  Choir. 
Oxford.     Christ  Church  College. 
Oxford.     Magdalen  Tower. 


Choir  looking  East. 
Detail  of  Triforium. 
Interior  of    Henry  VI I '- 


xxii  European  Architecture 

G  402  Peterborough.    'Cathedral.     West  Front. 

G  403  Peterborough.     Cathedral.     Nave  looking  West. 

G  404  Salisbury.     Cathedral.     West  Front. 

G  405  Salisbury.     Cathedral.     View  from  Northeast. 

G  406  Salisbury.     Cathedral.     Nave  looking  East. 

G  407  Tintern  Abbey.     Nave  looking  West. 

G  408  Warwick.     Castle. 

G  409  Wells.     Cathedral.     West  Front. 

G  410  Wells.     Cathedral.     View  from  Southeast. 

G  411  Wells.     Cathedral.     Nave  looking  East. 

G  412  Winchester.     Cathedral.     View  from  Northwest. 

G  413  Winchester.     Cathedral.     North  Transept. 

G  414  Winchester.     Cathedral.     Nave  looking  East. 

G  415  Windsor.     Castle.     View  from  River. 

G  416  Windsor.     Castle.     St.  George's  Chapel. 

G  417  York.     Cathedral.     West  End. 

G  418  York.     Cathedral.     View  from  South. 

G  419  York.     Cathedral.     Nave  looking  East. 

G  420  York.     Cathedral.     Five  Sisters  Window. 

G  421  Plans  of  Gothic  Cathedrals.     Salisbury,  Lincoln  and  York. 

Renaissance 

G  422  Burghley  House.     Facade. 

G  423  Haddon  Hall.     General  View. 

G  424  Haddon  Hall.     View  from  Garden. 

G  425  Hampton  Court.     Entrance. 

G  426  Hampton  Court.     View  from  Gardens. 

G  427  London.     St.  Paul's.     West  End. 

G  428  London. *~~St.  Paul's.     Nave  and  Choir  looking  East. 

G  429  London.     Whitehall.     Banqueting  Hall. 

G  430  Stratford.     Harvard  House. 

Spanish  Architecture 

Moorish 

G  431  Cordova.     Mosque.     Interior. 

G  432  Cordova.     Mosque.     Mihrab. 

G  433  Cordova.     Mosque.     Dome  of  Mihrab. 


European  Architecture  xxiii 

G  434  Granada.  Alhambra.  General  View. 

G  435  Granada.  Alhambra.  Court  of  the  Myrtles. 

G  436  Granada.  Alhambra.  Court  of  the  Lions. 

G  437  Granada.  Alhambra.  Hall  of  the  Two  Sisters:  Wall. 

Mediaeval 

G  438  Plans  of  Gothic  Churches. 

G  439  Avila.     San  Pedro.     Exterior. 

G  440  Avila.     San  Vicente.     Main  Portal. 

G  441  Avila.     San  Vicente.     Interior. 

G  442  Avila.     Santo  Tomas.     Facade. 

G  443  Bafios  de  Cerrato.     San  Juan   Bautista.     Interior  (before 
restoration). 

G  444  Barcelona.     Cathedral.     Interior. 

G  445  Barcelona.     Santa  Maria  del  Pino.     Side  View. 

G  446  Burgos.     Cathedral.     Facade  and  Towers. 

G  447  Burgos.     Cathedral.    Transepts  and  Crossing. 

G  448  Burgos.     Cathedral.     Interior  of  Lantern. 

G  449  Burgos.     Cathedral.     Cloister. 

G  450  Burgos.     Convent  of  Las  Huelgas.     Nave. 

G  451  Guadalajara.     Palace  of  Dukes  de  1'Infantado.     Facade. 

G  452  Guadalajara.     Palace  of  Dukes  de  1'Infantado.    Court. 

G  453  Leon.     Cathedral.     Exterior. 

G  454  Leon.     Cathedral.     Nave  looking  West. 

G  455  Oviedo.     San  Miguel  de  Linio.     Exterior. 

G  456  Sahagun.     San  Lorenzo.    Apse. 

G  457  Salamanca.     Old  Cathedral.     Nave. 

G  458  Salamanca.     Old  Cathedral.     Exterior  of  Apse  and  Dome. 

G  459  Salamanca.     Old  Cathedral.     Interior  of  Dome. 

G  460  San  Cugat  del  Valles.     Cloister  Court. 

G  461  Santiago  de  Campostela.     Cathedral.      Navr. 

G  462  Santo  Domingo  de  Silos.     Monastery.    Cloister  Court. 

G  463  Segovia.     San  Esteban.     South  Porch  and  Tower. 

G  464  Seville.     Cathedral.     Exterior,  with  Giralda Tower. 

G  465  Seville.     Cathedral.     Interior. 

G  466  Tarragona.     Cathedral.     View  from  Cloister. 

G  467  Tarragona.     Cathedral.     Interior. 

G  468  Toledo.     Cathedral.     Interior. 


xxiv  European  Architecture 

G  469  Toledo.     San  Juan  de  los  Reyes.     Interior. 

G  470  Toro.     Cathedral.     Exterior. 

G  471  Valencia.     La  Lonja  (Exchange).    Facade. 

G  472  Valladolid.     San  Gregorio.     Facade. 


Renaissance 

G  473  Escorial.     Monastery.     General  View. 

G  474  Escorial.     Church.     Sanctuary. 

G  475  Granada.     Cathedral.     Interior. 

G  476  Salamanca.     Palacio  Monterey.     Exterior. 

G  477  Saragossa.       La  Lonja  (Exchange).     Interior. 

G  478  Toledo.     Hospital  of  Santa  Cruz.     Fagade. 

G  479  Toledo.     Alcazar.     Court. 

G  480  Valladolid.     Cathedral.     Facade. 

German  Architecture 

G  481  Aachen  (Aix-la-Chapelle).  Cathedral.  Exterior  from  South. 

G  482  Aachen  (Aix-la-Chapelle).  Cathedral.   Interior. 

G  483  Cologne.     Cathedral.     West  End. 

G  484  Cologne.     Cathedral.     From  South. 

G  485  Cologne.     Cathedral.     Nave  looking  East. 

G  486  Cologne.     Church  of  the  Apostles.     East  End. 

G  487  Freiburg.    Cathedral  from  Southeast. 

G  488  Goslar.     Kaiserhaus. 

G  489  Hildesheim.     St.  Godehard.     East  End. 

G  490  Hildesheim.     St.  Godehard.     Interior  looking  East. 

G  491  Hildesheim.     Knochenhaueramthaus  (Butchers' Guildhall). 

G  492  Laach.     Abbey  Church  from  Northwest. 

G  493  Laach.     Abbey  Church.     Nave  looking  East. 

**  G  494  Mainz  (Mayence).     Cathedral  from  Southwest. 

G  495  Mainz.     Cathedral.     Nave  looking  East. 

G  496  Strassburg.     Cathedral.     West  End. 

G  497  Strassburg.     Cathedral.     View  across  Nave. 

See  D  464—467,  Sculptures. 

G  498  Ulm.     Cathedral.     From  Southwest. 

G  499  Vienna.     St.  Stephen  from  Southwest. 

\J  G  500  Worms.     Cathedral  from  Southwest. 

.  xj 


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